• 0 Posts
  • 53 Comments
Joined 2 years ago
cake
Cake day: August 21st, 2023

help-circle


  • My journey was Windows-> Ubuntu -> Mint -> Fedora -> Arch.

    (Infuriatingly i still use windows for gaming, but nothing else.)

    Did i mention that i use arch?

    More importantly:

    fucked up all my data with no backup.

    One time i messed up a script and accidentally copied 40,000 mp3s to the same filename. 20 years of music collecting, literally going back to Napster, all gone.

    Well, not completely gone. I’ve got everything uploaded to iBroadcast, and I’m pretty sure i can download my library. But I’m not sure i deserve to.



  • The enumeration on the losing side of that debate is probably correct. But as a person who was in my early 20s in 2000, I’d like to offer what I will characterize as The Historical Context and Definitive Conclusion to This Debate.

    No one actually gave a shit about that debate. Sure, it came up, but it did not alter anyone’s party planning. We weren’t actually celebrating the changing of the millennium, we were celebrating because we had a permission slip to do so. Any attempt to withdraw that permission was unwelcome.

    In Paris on December 31st, 1999, at around 11pm local time, someone threw themselves in front of a metro. The trains were free that night (because it was the 100 year anniversary of their opening iirc), but because of that suicide, at least one of the train lines was substantially delayed. The streets from the center of the city to the north side were crowded well toward dawn as everyone chose to walk home instead of wait indefinitely in a stinky train station.

    That person, who chose to end their life on the tracks that night, holds the core truth of the debate within his death: it’s a ridiculous debate and those who would fight for it should just stay the hell home and let the rest of us drink a lot and dance.



  • So you’re saying you want a federated wiki that uses a blockchain??? Genius.

    Kidding aside, you’re absolutely right. Wikipedia is one of the very few if not ONLY examples of centralized tech that ISN’T absolute toxic garbage. Is it perfect? No. From what I understand, humans are involved in it, so, no, it’s not perfect.

    If you want to federate some big ol toxic shit hole, Amazon, Netflix, any of Google’s many spywares – there’s loads of way more shitty things we would benefit from ditching.


    Edit: the “federated Netflix” – I know it sounds weird, but I actually think it would be really cool. Think of it more like Nebula+YouTube: “anyone” (anyone federated with other instances) can “upload” videos, and subcription fees go mostly to the creator with a little going to The Federation. Idk the payment details, that would be hard, but no one said beating Netflix would be easy.

    And federated Amazon – that seems like fish in a barrel, or low hanging fruit, whichever you prefer. Complicated and probably a lot more overhead, but not conceptually challenging.




  • You’re right, I’ll concede that – but only because BSG is an amazing show and very few characters can be reduced to “good” and “bad” – even the “antagonists” (in the traditional sense of those characters working against the stories’ progression) have pretty valid reasons for doing what they do.

    Gaius (sp?) is one of the closest characters to “bad” – but not because of the bad things he does, but because of the bad things he is – ie, vain, selfish, etc – and the fact that he lets those negative characteristics drive his actions.

    All the characters have flaws, but the “good” characters do their best to mitigate their flaws, and let their positive traits motivate them. For example, Adama often acts before he thinks, a trait that is awesome in combat, but can be less positive other times – and he (as best he can) seeks advice and counsel from the people he trusts (eg Saul Tigh) – he knows he can be impulsive and he knows his “instant judgement” decision making isn’t perfect.

    Cavil (that’s his name I think) is close to “evil” but he does have reasons for his actions – preservation of his “species” (though really it’s just himself) – but he’s evil because of the fact that he doesn’t listen and acts with disloyalty and dishonor.

    (There’s an amazing comeuppance for the titular character of the show Nathan Barley that epitomizes this idea: Barley doesn’t actually do anything wrong, but his motivations are repugnant, and his motivations are what’s revealed… Shit I should write a whole essay on that…)

    Are there contemporary shows that are as good as BSG? I kind of gave up on TV after Firefly.



  • Cylons being manipulated by other cylons doesn’t absolve them of guilt.

    BSG did have a few instances of the reverse of OP’s question tho – where the “good guys” turned out to be bad" – trying to say this without spoilers; it’s a 20 year old show but ffs of you haven’t seen it, go see it now.

    • the (temporary) new admiral
    • several main characters during the part where they live on the dirty planet
    • a very specific set of seven main characters (wink wink) … .and more,…

    And there’s one specific example of the full 360 – a character that starts good, turns bad, but turns out they were actually good all along. I won’t give the name, but they were passing messages to the resistance.

    That show was awesome.

    One note tho, on the topic generally: flipping character alignments is a frequent pre-shark-jump thing, and is often bad writing. In BSG, tho, all of the “flips” are pre-planned, or at least 100% true to their character (eg the 360 example above).



  • You’re being downvoted because people people think you’re being obtuse, but, as a person that overuses logical thinking to a diagnosable degree, my suspicion is that you’re doing that. Also because your tone is kind of…not good.

    The whole point of the Serenity Prayer (“accept the things I cannot change”) is that it includes “change the things I can” – so the things Davis is changing are things she CAN change, by definition.

    But her point is that she is reframing what she believes she can and cannot change. Recategorizing, if you will.

    She’s invoking the third part of the Serenity Prayer: the wisdom to know the difference. As we grow and learn, our wisdom increases, so the things that belong in the first two categories will shift.

    Things that used to be things that can’t be changed are becoming things that she can.

    To understand the quote, you just have to give it some space to breathe, and not be so logical about it.




  • I’m not sure if I understand. Isn’t this a normal thing, Amazon just made it look like you’re normal one, plus “Amazon”? I could be misunderstanding.

    edit judging by the down votes I guess I misunderstood?

    You’ve been able to capture and replace context menus in browsers for years. I don’t use them in my development because they’re annoying but this is one that I played with one time:

    https://carbon-components-svelte.onrender.com/components/ContextMenu

    (The feature has been Dollar Store DRM for years - that’s how you just disable the context menu altogether. “We have DRM at home”- type DRM.)

    To be clear, the reason this isn’t common is because of OP’s response – it feels intrusive and the more “value” it adds (ie how customized it is) is proportional to how intrusive it feels.

    To make matters worse, as far as I know, you can’t replace the context menu just sometimes, like, it would be cool to just customize options on images for example, or links – but it’s whole page or nothing – so using the feature at all means using it everywhere, and, for me anyway, it’s kind of a lot of effort, which sits on the scale with “intrusive and annoying” to outweigh the value add.


  • I just wrote like a 10 page response to another comment on that same post I made so I don’t think I have the energy to go too deep on this - so, to keep it short:

    1. I was just rebutting that person’s claim that a car and a digital object have the same relationship to value, and they don’t; physicality requires resources that “digitality” doesn’t.

    2. I feel like you might’ve agreed with me in the second part? Or, if not, I think you managed to destabilize the entire data economy in like 2 sentences, so, fuck yeah.


  • First off, I was specifically addressing your concern about the car & it’s physicality. Value of physical objects is directly related to the scarcity of the resources; digital content pricing is skeuomorphic (sp?) at best and absolute bullshit at worst.

    Surely the sale of that copy of the movie has value

    Secondly (and thirdly in a sec), this is the fundamental misapprehension that surrounds piracy. Each instance of piracy does not mean one lost sale. In terms of music (I read a study about music piracy a few years ago), this is rarely the case, and in fact, it was the opposite: the study found that the albums that were pirated more resulted in more sales, since the album’s reach was extended.

    Thirdly, one of the core issues with the entertainment industry at the moment is that the streaming services have no way to gauge the draw of a specific show, movie, or song, since subscribers just don’t approach their subscription that way - you don’t subscribe to Spotify because your want to hear Virtual Cold by Polvo; you subscribe because you want to have access to their entire collection, as well as all the other awesome 90s noise/math rock - even though, let’s be honest, you really just listen to Virtual Cold over and over.

    As a result of this clusterfuck, streaming services can’t correctly apportion payment to their content - they do an elaborate split of the profits. So - the best way for the “content providers” (ie copyright holders) to increase profits is to reduce the amount of content on the streaming service - so the profits are spread over fewer titles.

    This is massively hurting the production companies - please note none of these fuckers are getting any sympathy from me, this is just an explanation - they’re having a hard time finding a balance between how much they can spend given that half of their productions’ profits are pennies. (Oops, forgot one element: because of streaming tech, no one buys films in tape or DVD or whatever - which was half of a film’s profit.) Do they make a bunch of huge budget action movie sequels that fill the theater seats? Or do they make smaller-budget films with smaller profit margins?

    It’s a shitty situation, and I don’t know what the answer is - but I know that the answer isn’t whatever the fuck this is. And, until they figure their shit out, I’m just going to step outside the market for a bit.

    I’m not living in some dream world where piracy doesn’t reduce profits. I know that the underground bands that I like are usually supportive of piracy because it helps them more than it hurts - and when it comes to film and TV, when those companies complain about piracy , it’s just like those bullshit shoplifting claims - attempts to turn their “line not go up” on poor people. Piracy is a grain of sand in the Sahara - they have way bigger problems than that - though I do think increased piracy metrics might help encourage them in the right direction.

    Anyway, if you got this far, I appreciate your time.